More Artwork and Updates

So I've been preparing for the ArtWalk show at the Modesto Library. Here are some prints I have in the works, in addition to the one I posted last time. They need some work, and the jellyfish probably won't be displayed with the others (I'm going for a tree theme if I can... of course, if I can't, then I'll throw in whatever's framed by then). The jellyfish linocut needs some clean-up to fix all those little black bits that printed and shouldn't have. Ditto the bird print. The last one was a drypoint attempt to see if I might can do intaglio on the press Matt built. Good news: it worked a little. Bad news: it didn't work very well. There could be a few reasons... the paper is sketchbook paper, not the $2-a-sheet etching paper I bought from Blick Art. Also, the lines might be too shallow to hold enough ink. Lastly... the press might not be able to handle intaglio. I'm hoping it's reasons 1 and/or 2.

Jellyfish - linocut with hand tools on newsprint

Bird pair - woodcut (pine) with dremel and hand tools on newsprint.

Tree/birds (can't see the birds, huh?) - plexiglass drypoint on sketch paper.

Updates: after reading up on Team Small Dog blog, Susan Garrett's blog, and Silvia Trkman's website, I've been shamed into taking up the clicker with my wild three again. So, Mya's working on her down and some directional commands to targets I point out to her. Sasha's doing remedial leash-prep - free heeling with me around the house. With his hurt knee, Matt can't walk a dog who pulls anymore, so I need to get at least one dog reliably heeling. I'm particularly proud of Cyrus. We've been working with shaping only, and he's got a pretty good Moonwalk going on. He can back across about half the room. We're working on more distance and a straighter path. I'll post some videos if I can get them.

Well, that's the zoo. Thanks for your visit.

New Artwork

Ok, so I hear that I can start putting artwork up at the Modesto Library in a couple of weeks for the Art Walk. Very cool. Only, it means I have to have artwork ready for display in a couple of weeks. So I've been a little obsessed with getting art made rather than documenting the process on my blog. As an apology, I present a new linocut I'm working on, based on a couple of pictures I took while in Chile with my mom at the International Convention of Jehovah's Witnesses.

For this image, I transferred the original sketch onto the linoleum block and then inked it with a Sharpie to see if I like the layout. I've started carving already, which is why some of the lines on the scan look a little funky. Also, I didn't place it squarely on the scanner bed, so it's not really as crooked as it looks here...

Now you have to tell me, what do you think?

The Green Ring Press is born!

One of the last classes I took as an undergrad was printmaking. I loved it. We worked mainly in intaglio, mostly etchings. I've wanted to get back into printing ever since the end of that class, but etching presses are horrifically expensive. And extremely heavy, what with the steel rollers and press beds, so even if you can find one used, it'd cost a king's ransom to have it shipped.

So, to make a long story short, Matt and I have been trying to think of ways to build a press for some time. I am not a machinist, or even particularly mechanical, so it did not seem likely that I would be able to build an etching press myself, no matter how much I wanted one. Then I found out that my favorite online printmaker, of http://trailhoundz.blogspot.com/ (how could I not be a fan of someone who does printmaking and adopted 3 retired racers?), built a press from instructions at a Mosswork's studio website, http://www.mossworks.com/ .

This is not designed to be an etching press, and I haven't tested it with drypoint yet, but it will do any manner of relief printing. (Unfortunately, the plates for those take a lot longer than I was hoping, so I won't have images of our prints to put up until a little later.) Still, it's very, very exciting and Matt and I have been having a ball so far with it. What a lovely guy I have to make something like that for me. (Afterwards, I bought him a "thank you Wii", so don't think he's all work and no play. ^_~)

Here are some images from the Making of the Press.

Here are the major components, plus a lot of fiddly hardware bits and some springs.

Getting started in the garage-cum-workshop

The doubled 2x4 is centered under the press bed, with a matching set at the top of the press.

All it needs now is the driving force, Jack. Captain Bottle Jack, to be precise.

This square of plywood will become the platen. The countersunk eyebolts hook up to the springs which retract the platen when the pressure from the jack is released.

Ta da!

We're still getting the hang of the actual printing process, so I'll have to post scans of our prints later. When we have nicer ones and I want to take time out of carving printing blocks to scan images...